Tea + Toast Theatre Company in association with Theatre Upstairs presents Fizzy Drinks with Two Straws. And if the title itself hasn’t already intrigued you enough, then maybe you should stick around for a bit longer to find out what it’s all about.
An original piece of theatre, written by Joyce Dignam and directed by Dignam herself and Meabh Hennelly, Fizzy Drinks is a simple story told from a very nontrivial point of view. It tells us about an Irish family on their holidays in Wexford. Maybe not the fanciest of all holiday destinations, one might think and Lara (played by Ali Hardiman) and Rosie (played by Tara Maguire) will definitely agree with you. But it’s not the lack of exoticism or Mediterranean sun on the resort that upsets the little girls; it’s the feeling that something bad is going on in their family and nobody would tell or explain them anything. Mam and Dad seem to be enclosed in a local pub with a family friend, while Lara and Rosie are left to play by themselves in a playground outside. Nevertheless, their minds can’t help but wonder what’s really hiding behind all that grown-up talk that even playing Mommies and Daddies doesn’t help.
In this approximately one hour play, we witness the story from the point of view of two little girls – the eldest being only ten. It’s definitely catchy and refreshing. Both Hardiman and Maguire are excellent at portraying little girls as well as adults. The sense of naiveness and childishness that they transmit to the audience is nothing but adorable and hugely entertaining.
Fizzy Drinks with Two Straws is an easy to watch and enjoy production showcasing some of the raising talents of the Irish theatre. The play was presented as part of this year’s Scene and Heard Festival last month. Apart from decent acting, there is some nice lighting (by Shane Gill) and sound (by Conrad Jones-Brangan) designs. As for the set design, being presented as a playground, it’s quite outstanding with a real slide mounted on the Theatre Upstairs’ cozy stage.
Fizzy Drinks with Two Straws runs in Theatre Upstairs till April 8th. It’s never too late to be a child again and perhaps remind yourself how it all used to feel like. For more info or to book tickets: http://www.theatreupstairs.ie/fdwts
After the morning with #WakingTheFeminists’s one year recap in the Abbey Theatre came an evening with the feminists just around the corner from Ireland’s National. During the Monday meeting some absolutely shocking statistics were presented on the gender imbalance in the top ten (all government sponsored) theatres and theatre companies around Ireland during the last ten years. But some hope was indeed restored for me on Tuesday night when I sat down to watch Test Dummy, an original Irish play written by a woman, performed by a woman, directed and even produced by a woman.
Theatre Upstairs in association with WeGetHighOnThis Collective presents Caitriona Daly’s new play – Test Dummy, a beautiful but ever so heartbreaking example of modern worldwide female image created by decades and generations of hardcore patriarchy.
Test Dummy might be a very abstract piece in general but it’s in the detail where you find its uniqueness and meaningfulness. In addition to the captivating script, Caitriona Ennis masterfully creates her nameless character of multiple faces and experiences; and it’s in one of those socially disfigured faces that the members of the audience will be able to sadly recognise themselves: be they the victim or the predator.
Test Dummy also managed to challenge the physical space that Theatre Upstairs is. In order to be able to experience the play more profoundly, the audience is being seated on two sides (facing each other), while the stage lies right in between them. The Dummy appears to be trapped in between watching and judging her people.
According to Caitriona Daly’s Author’s Note, she wanted this piece to be “not necessarily understood but felt”. Thanks to the exquisite combination of absolutely haunting sound (by Carl Kennedy ), skillful set (by Laura Honan) and igniting lighting (by Conor Byrne and Shane Gill) designs in addition to Ennis’ breathtaking portrayal of the Dummy, Caitriona Daly’s intention was achieved quite nicely. Louise Lowe’s spot-on directing allows this piece to be both brutally honest and tense, as well as funny and humorous.
This roughly fifty minute piece flies by in an instant. Caitriona Ennis’ human Dummy with strong voice and bright eyes “is happy to oblige” and the audience is happily left satisfied with the piece that they’ve just… no, not seen but rather experienced. So, don’t be a Dummy yourself and get your lovely (male or female regardless) bum to Theatre Upstairs to witness what comes out when three talented theatre makers and a 50/50 gender balanced crew come together to create art. For more info or to book tickets: http://www.theatreupstairs.ie/what-is-on