The International Dublin Gay Theatre Festival 2017 has opened its wide and ever welcoming doors to another year of theatre, art, music and creative performances. Filled with pieces on gay awareness, the two weeks of the festival have on offer something very special for each and everyone.
Both Sides Now, written and performed by Nicole O’Connor, is just one of the rich variety of plays that is presented by its creators to be truly enjoyed and experienced. Being part of a double bill deal (see two plays for the price of one; who would say no to that?) along with Leah Moore’s Wasting Paper, Both Sides Now tells us the story of Lydia – a young bisexual girl who is on a long road of discovering herself and her sexuality. Lydia is doing her first steps into the world of the unknown where she meets Carrie, her first love. After making plans of travelling the world together, the young couple doesn’t even survive the summer. Not being able to get completely over Carrie, Lydia looks for her cure – a sort of, at least – in Joni Mitchell’s songs.
The way this forty minute piece is delivered is both touching and charming. It’s simple and very natural but captivating, at the same time. O’Connor, who plays the title character, just like an old friend brings you through the story. She makes it funny and sad; she even has a cute handmade presentation to explain some things.
Both Sides Now is a beautiful mix of music and storytelling. And if you happen to be an admirer of Joni Mitchell’s, then you are undoubtedly in for a double treat.
Both Sides Now, an original piece of theatre directed by James O’Connor, runs in the Pearse Centre Theatre until May 6th (with a 4PM and a 7.30PM performances on Saturday). For more info or to book tickets: https://gaytheatre.ticketsolve.com/shows/873572855/events
A new collaboration between Theatre Upstairs and EGM Productions has brought a real gem to its audience. Emily Gillmor Murphy’s new play Monster? is an original poignant story that won’t leave anyone feeling indifferent.
Let’s have one more conversation about women’s reproductive rights. Let’s look at the situation from a different point this time: what if she just doesn’t want to be a mother? Does it make a monster out of her? After all, all that a woman wants is to have a choice and not to be judged or frowned upon for how she feels.
Nell (played by Aisling O’Mara) – a mother-to- be – a woman – an individual and a human being just like anyone else – keeps repeating to her unhappened partner Adam (played by Jamie O’Neill) that the body is hers. Not his or the baby’s, but hers. After a drunk one night stand, she quickly discovers her unexpected new condition. Adam, though a nice guy but definitely not yet ready for becoming a father, after a brief freak out offers Nell to move in with him and, maybe, start a family. Isn’t it, after all, what every girl dreams of? Almost an orphan herself, Nell already knows she doesn’t want this baby. Not because she is an evil creature or a witch from a kid’s fairy tale but simple because she doesn’t feel ready to bring a new life into this world. My body – my choice? Or shall Nell just follow the rules of the society and silently consent to what God has created every woman for?
This roughly an hour long play doesn’t only take an unconventional approach to an important (mostly unspoken of) social topic but it also has an absolutely perfect sharp ending for a piece of this kind. With a small cast of three, Monster? is a surprisingly funny play. Michael Glenn Murphy (who plays Ru) provides the ultimate comic relief, while the other two actors wonderfully balance the tragedy and the heaviness of the story. All under the directing hand of the master himself – Karl Shiels.
Lisa Krugel’s simple but quite stunning stage design – a bar – is the first thing that welcomes you into Theatre Upstairs’ cosy auditorium. It provides the perfect setting for the story and the unforgettable beginning.
Monster? is a play that gives you more than mere entertaining and a nice night out. It gives you some real food for thought. It’s a brave, challenging production created by a bunch of undoubtedly talented and creatively inspiring artists.
Monster? by Emily Gillmor-Murphy runs in Theatre Upstairs till April 29th. So, there is no excuse not to go! For more info or to book tickets: http://www.theatreupstairs.ie/monster
If I had to describe Syrius with one only phrase, it would definitely be: the beauty in simplicity.
A sharp 20 min piece about a Syrian refugee on her unintended journey to Ireland presented by Rosebuds Theatre Company is indeed an awakening production. Through beautifully choreographed dance and movement Romana Testasecca tells us the story of Rasha, a young Syrian woman who is forced to flee her though beloved but self-destroying motherland in search of a more peaceful future.
A play like Syrius shows us perfectly how the almost complete lack of spoken words can sometimes even benefit and enhance a performance. One image equals one hundred words. We all live in the same world; we are all human beings who, when really want, can communicate with each other without the need for words at all. Protest banners, the white wedding veil, the headscarf, the tent, the paper boat… all these things are not only props or attributes that help move the story forward but they are also strong easily recognised international symbols.
Even though the actress does remain silent, towards the end of the piece there is an audio recording involved; the beautiful thing is that we can hear both Arabic and the English translation of it speaking almost simultaneously. It gives Rasha that little extra of being a real fleshed out person, even though she is just a generalised character. But the truth remains the same: there are hundreds of Rashas out there who have lost everything from their family and friends to the sense of belonging.
And if we want to be completely honest: there is a bit of Rasha in all of us.
Directed by Karen Killeen and choreographed by Stephanie Dufresne, Syrius is a play that isn’t afraid of challenges: be it in the structure of the piece or what lies behind the story. Rosebuds TC didn’t only create a touching piece of theatre, they brought the reality of today’s world into the art of performing. And isn’t it what good theatre is supposed to do: reflect the current situation we live in?
Syrius ran as part of Dublin’s Scene and Heard Festival in the Smock Alley Theatre from Feb. 24th to 26th. For more info about the production, you can read my interview with the woman behind it all – Romana Testasecca.