Tag Archives: new play

Pearse Centre Theatre: Wasting Paper (IDGTF)

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If you are looking for something to have a good old laugh, then look no further!

Presented as a special double bill deal (together with Nicole O’Connor’s Both Sides Now), Wasting Paper by Leah Moore is a real cracker like no other!

The play follows the story of Casey (played by Leah Moore), an eighteen year old gay teenager who is weeks away from doing her Leaving Cert exam. It looks like life is good for Casey. She is even some sort of a local celebrity, a modern day Shakespeare – Casey is a poem writer (the kind that gets invited to all the cool events and places like Electric Picnic and The Mansion House).

After a summer of success and adventure, Casey faces the last year of school before diving into the world of grown-up life. And there is one particular class she is more than eager to go back to – English language and literature, of course. But what a surprise to find out that her old teacher has been replaced by a younger version. The moment the 23 year old Tess walks into her first experience as a secondary school teacher, Casey immediately puts her eye on the forbidden fruit. And not that long passes before it becomes evident that Tess isn’t that uninterested in the tabu relationship herself.

This thirty minute piece wins its audience over not only with funny lines but also with some quite superb acting by both performers: Leah Moore and Ciara Smyth. Crispy delivery of the sharpened script, wonderfully fleshed out characters and loads of enthusiasm and energy make Wasting Paper truly stand out.

Wasting Paper really flies by before one can think twice, so cherish every minute of this female-driven experience. It’s really refreshing to see plays about both gay men and women as such an important issue touches both genders equally.

Wasting Paper, directed by Craig Connolly, runs in Pearse Center Theatre till May, 6th (with a 4PM and a 7.30PM performances on the final night). Fore more info or to book tickets: https://gaytheatre.ticketsolve.com/shows/873572855/events

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Filed under IDGTF, Pearse Centre Theatre, Squad Theatre Company, Uncategorized, Wasting Paper

Theatre Upstairs: Monster?

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A new collaboration between Theatre Upstairs and EGM Productions has brought a real gem to its audience. Emily Gillmor Murphy’s new play Monster? is an original poignant story that won’t leave anyone feeling indifferent.

Let’s have one more conversation about women’s reproductive rights. Let’s look at the situation from a different point this time: what if she just doesn’t want to be a mother? Does it make a monster out of her? After all, all that a woman wants is to have a choice and not to be judged or frowned upon for how she feels.

Nell (played by Aisling O’Mara) – a mother-to- be – a woman – an individual and a human being just like anyone else – keeps repeating to her unhappened partner Adam (played by Jamie O’Neill) that the body is hers. Not his or the baby’s, but hers. After a drunk one night stand, she quickly discovers her unexpected new condition. Adam, though a nice guy but definitely not yet ready for becoming a father, after a brief freak out offers Nell to move in with him and, maybe, start a family. Isn’t it, after all, what every girl dreams of? Almost an orphan herself, Nell already knows she doesn’t want this baby. Not because she is an evil creature or a witch from a kid’s fairy tale but simple because she doesn’t feel ready to bring a new life into this world. My body – my choice? Or shall Nell just follow the rules of the society and silently consent to what God has created every woman for?

This roughly an hour long play doesn’t only take an unconventional approach to an important (mostly unspoken of) social topic but it also has an absolutely perfect sharp ending for a piece of this kind. With a small cast of three, Monster? is a surprisingly funny play. Michael Glenn Murphy (who plays Ru) provides the ultimate comic relief, while the other two actors wonderfully balance the tragedy and the heaviness of the story. All under the directing hand of the master himself – Karl Shiels.

Lisa Krugel’s simple but quite stunning stage design – a bar – is the first thing that welcomes you into Theatre Upstairs’ cosy auditorium. It provides the perfect setting for the story and the unforgettable beginning.

Monster? is a play that gives you more than mere entertaining and a nice night out. It gives you some real food for thought. It’s a brave, challenging production created by a bunch of undoubtedly talented and creatively inspiring artists.

Monster? by Emily Gillmor-Murphy runs in Theatre Upstairs till April 29th. So, there is no excuse not to go! For more info or to book tickets: http://www.theatreupstairs.ie/monster

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Theatre Upstairs: Fizzy Drinks with Two Straws

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Tea + Toast Theatre Company in association with Theatre Upstairs presents Fizzy Drinks with Two Straws. And if the title itself hasn’t already intrigued you enough, then maybe you should stick around for a bit longer to find out what it’s all about.

An original piece of theatre, written by Joyce Dignam and directed by Dignam herself and Meabh Hennelly, Fizzy Drinks is a simple story told from a very nontrivial point of view. It tells us about an Irish family on their holidays in Wexford. Maybe not the fanciest of all holiday destinations, one might think and Lara (played by Ali Hardiman) and Rosie (played by Tara Maguire) will definitely agree with you. But it’s not the lack of exoticism or Mediterranean sun on the resort that upsets the little girls; it’s the feeling that something bad is going on in their family and nobody would tell or explain them anything. Mam and Dad seem to be enclosed in a local pub with a family friend, while Lara and Rosie are left to play by themselves in a playground outside. Nevertheless, their minds can’t help but wonder what’s really hiding behind all that grown-up talk that even playing Mommies and Daddies doesn’t help.

In this approximately one hour play, we witness the story from the point of view of two little girls – the eldest being only ten. It’s definitely catchy and refreshing. Both Hardiman and Maguire are excellent at portraying little girls as well as adults. The sense of naiveness and childishness that they transmit to the audience is nothing but adorable and hugely entertaining.

Fizzy Drinks with Two Straws is an easy to watch and enjoy production showcasing some of the raising talents of the Irish theatre. The play was presented as part of this year’s Scene and Heard Festival last month. Apart from decent acting, there is some nice lighting (by Shane Gill) and sound (by Conrad Jones-Brangan) designs. As for the set design, being presented as a playground, it’s quite outstanding with a real slide mounted on the Theatre Upstairs’ cozy stage.

Fizzy Drinks with Two Straws runs in Theatre Upstairs till April 8th. It’s never too late to be a child again and perhaps remind yourself how it all used to feel like. For more info or to book tickets: http://www.theatreupstairs.ie/fdwts

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Bewley’s Café Theatre: Jericho

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Here’s some substantial and even, perhaps, existential thought for your lunch break: how did we end up in this giant puddle of poo-poo? I mean: us. Yes. Us. And the world. The little blue dot we all happily inhabit.

What do you do when you’ve been asked to make a play about the world? Our world. Where do you start? Where do you start?… The uneasy task was taken upon by one of Dublin’s most progressive and forth-looking theatre companies: Malaprop. The answer they came up with might not be the most obvious one but it sure is a very interesting approach to something so deep and important. Malaprop bravely decided to wrestle the discomforting subject. Both literally and metaphorically. And the result is Jericho.

After a couple of not-quite-so-satisfying attempts, Maeve O’Mahony finally emerges on stage the way she has always imagined it: with the triumphant music playing on the background and hundreds of fans cheering for her victory. But the question remains: what did she win? In the comfortable cosy life of hers, O’Mahony’s character is a young journalism graduate who works for one of those so popular nowadays newspapers that generates traffic on clicks. Our nameless heroine tells us she has to write a new story every 45 minutes and hope that it will be read (or at least clicked on) by as many people as possible. In an office meeting it was proposed to feature an article on Wrestlemania (the one where the current president of one of the most powerful countries on earth bodyshames another billionaire and entertainer by publicly shaving his head) and though she doesn’t know a thing about wrestling and thinks that maybe, perhaps, we should focus on something more important like feminism and women’s rights right now, yet she doesn’t say a thing and just smiles and nods.

Interestingly enough Jericho itself lasts for approximately 45 min. Just long enough for us to focus on one thing before our attention will inevitably be diverted by something completely different and undoubtedly much less important though hugely entertaining, like a video of a cute cat or a baby.

Jericho (“The city. Not the wrestler”… I think) is loaded with visual and audio materials. The smartly designed stage (by Molly O’Cathain) quickly transforms from our heroine’s office into her rented apartment, into a wrestling arena, etc. This production is a nice example of an interactive play where the audience can feel like they are being part of the created on-stage world. O’Mahony speaks with you rather than at you. The amount of flashing and sounding effects (by John Gunning) is overwhelming at times but it does the trick and produces the feeling of being so overpowered by the media that we can’t hear our own thoughts anymore.

O’Mahony does an absolutely fantastic job portraying her typical 21st century girl with a degree and a wish to make the world a better place. But, you know, life just gets onto the way sometimes. I mean: all the time. It happens to all of us and that’s why we, just like her, don’t say anything, don’t do anything and just carry on. Click. Click. Another page. Another story.

Jericho, devised  by Malaprop Theatre Co and directed by Claire O’Reilly, runs in the Bewley’s Café Theatre until March 4th. Food for thought indeed it is. For more info or to book tickets: http://www.bewleyscafetheatre.com/events/jericho

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The Abbey Theatre: Arlington

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The new season, and what looks like a whole new life for The Abbey Theatre, opened 2017 with one of Enda Walsh’s most recent plays – Arlington, a dramatic performance of a new dystopian world that jumps out of page on Ireland’s National Stage in a fascinatingly profound embodiment.

In this ninety minute non-stop piece, Walsh brings us on a multi-dimensional journey into a strangely scary futuristic world of broken people and imprisoned emotions. What roughly could be divided into three parts, Arlington is a powerful combination of spoken words, dance, movement, monologue, sound and visual effects. Almost like something out of a George Orwell novel, in reality Arlington is a beautifully metaphorical closed room drama, speaking both literally and metaphorically.

Isla is a girl (played by Charlie Murphy) who has spent almost an entire life inside this weird empty waiting room just waiting for her number to be called. The only source of communication with the outside world for her has been a mic on the wall. There is a guy – the new guy (played by Hugh O’Connor), as we soon find out – on the other side, nevertheless. In a small cluttered office, like a rat in his preassigned cubicle, he listens to Isla’s wildest dreams and thoughts. It’s only a matter of time now before he himself will take her place inside the locked madness.

And just as quickly as the door opens in front of Isla, it soon closes behind the other girl (played by Oonagh Doherty). Without saying a single world, she offers us her tale entirely through movement and dance. With an absolutely breathtaking game of light and shadow (designed by Adam Silverman), not a single bit of text or explanation is needed to transmit the meaning behind the silent story to the audience. The girl  uses her own body to convey the concept of a locked space: be it a room or a human body.

Walsh’s play premiered last year at Galway International Arts Festival. An abstract piece with more than defined meaning, Arlington combines in itself a hurricane of human emotions. Three very diverse, very different pieces about human nature , deep grief and yearning for something that they are being stripped off, present very nicely balanced contrast one to another.

The set design (by Jamie Vartan) and its symbolism also plays a huge part in the piece. Like a fish herself, the appropriately named Isla, for example, waits in a bare room with almost nothing but three plastic chairs and a forever empty fish tank.

A trap that you would love to fall into, Arlington runs in The Abbey Theatre until February 25th. For more info or to book tickets: http://www.abbeytheatre.ie/whats_on/event/arlington?gclid=CP7IgfaZn9ICFW4B0wodBbcA_Q

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Theatre Upstairs: Test Dummy

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After the morning with #WakingTheFeminists’s one year recap in the Abbey Theatre came an evening with the feminists just around the corner from Ireland’s National. During the Monday meeting some absolutely shocking statistics were presented on the gender imbalance in the top ten (all government sponsored) theatres and theatre companies around Ireland during the last ten years. But some hope was indeed restored for me on Tuesday night when I sat down to watch Test Dummy, an original Irish play written by a woman, performed by a woman, directed and even produced by a woman.

Theatre Upstairs in association with WeGetHighOnThis Collective presents Caitriona Daly’s new play – Test Dummy, a beautiful but ever so heartbreaking example of modern worldwide female image created by decades and generations of hardcore patriarchy.

Test Dummy might be a very abstract piece in general but it’s in the detail where you find its uniqueness and meaningfulness. In addition to the captivating script, Caitriona Ennis masterfully creates her nameless character of multiple faces and experiences; and it’s in one of those socially disfigured faces that the members of the audience will be able to sadly recognise themselves: be they the victim or the predator.

Test Dummy also managed to challenge the physical space that Theatre Upstairs is. In order to be able to experience the play more profoundly, the audience is being seated on two sides (facing each other), while the stage lies right in between them. The Dummy appears to be trapped in between watching and judging her people.

According to Caitriona Daly’s Author’s Note, she wanted this piece to be “not necessarily understood but felt”. Thanks to the exquisite combination of absolutely haunting sound (by Carl Kennedy ), skillful set (by Laura Honan) and igniting lighting (by Conor Byrne and Shane Gill) designs in addition to Ennis’ breathtaking portrayal of the Dummy, Caitriona Daly’s intention was achieved quite nicely. Louise Lowe’s spot-on directing allows this piece to be both brutally honest and tense, as well as funny and humorous.

This roughly fifty minute piece flies by in an instant. Caitriona Ennis’ human Dummy with strong voice and bright eyes “is happy to oblige” and the audience is happily left satisfied with the piece that they’ve just… no, not seen but rather experienced. So, don’t be a Dummy yourself and get your lovely (male or female regardless) bum to Theatre Upstairs to witness what comes out when three talented theatre makers and a 50/50 gender balanced crew come together to create art. For more info or to book tickets: http://www.theatreupstairs.ie/what-is-on

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Filed under Test Dummy, Theatre Upstairs, We Get High On This Theatre Collective

Theatre Upstairs: Venom So Sweet

It`s Halloween! It`s Halloween!
The moon is full and bright
And we shall see what can`t be seen
on any other night!

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Wonderful news in store for those who appreciate high-quality theatre and are looking for something fun and quite unique to do on this Hallow’s Eve: Theatre Upstairs has reopened its doors. Being undoubtedly one of Dublin’s most atmospheric theaters, TUpstairs together with Little Shadow Theatre Co has entered the season of ghosts and ghouls with a venomously delicious treat – Venom So Sweet, written by Roger Gregg and directed by James O’Connor.

For those of you who are familiar with Roger’s previous work, this play will come as a bonus to his magnifficent styleized cabaret performances and saxophone playing delights. Venom So Sweet follows the story of a somewhat cowardish and not the best kind of human beings – Legion (portrayed by Gregg himself) – who in a deep western accent tells you his poisonus story of being a con-man empowered by the devilsnake inhabiting his soul from within rather than without. Roughly based on the life of Saopy Smith (a 19th century con-man from Georgia) and the horrible fate that so unfairly grasped the poor souls of Sand Creek indigens in 1864, Gregg took a few liberties with the history and added some colour and pitch to it.

In this one hour piece, Legion is joined by three beautiful companions: Jezebel Demon (played by Juliette Crosbie), Serpent Demon (played by Alicky Hess) and Sorceress Demon (played by Madi O’Carroll). They might be characters of few words but their presence is ominous on stage. Once too often I caught myself just watching them interact with each other and move about the stage.

Venom So Sweet is a show in its best composition. It has an absolutely magical ensemble of theatre professionals that takes care of not only carrying the story forward but also creates an incredible atmosphere of being in a different time and place all together. All four actors engage in the musical part of the play and create the sounds live on stage with the help of both props and a whole variety of musical instruments. The lighting design also is a huge impact on the overall mood. Be it the director’s or the lighting designer’s decision but some scenes are so perfectly framed that watching them gives an aesthetic pleasure. In the best traditions of a cabaret show, the actors are very interactive with the audience and make it feel like you are part of the plot; one more in a crowd of citizens imagined by Roger Gregg and his team.

I can’t think of a better choice to start your Hallowe’en adventure this year. Venom So Sweet is a real treat for all of you li’l trickers out there. Runs until  November 5th. For more info or to book tickets: http://www.theatreupstairs.ie/venom-so-sweet

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Filed under Little Shadow Theatre Company, Roger Gregg, Theatre Upstairs, Uncategorized, Venom So Sweet