Tag Archives: Laura Honan

Theatre Upstairs: Hero

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A new season in Theatre Upstairs has started with what can only be described as one of the most touching love stories told by a man. Ken Rogan’s new play Hero is an absolutely breath-taking one hour piece about a love, loss and life as it happens sometimes.

Smithy (played by Daithi Mac Suibhne) is a good-looking single guy who enjoys just as much the big sport as the company of his best mates. And everything is going well for The Captain Smithy until one night the football pitch converts into a dance floor and he meets her, the girl who is to steal his heart forever. But he doesn’t know it yet. All that matters for the moment is that he, the man, gets her, the woman. Marissa studied law and bends her head the way that makes Smithy forget about everyone else. A couple of unoriginal cheeky chat up lines later, a kiss lands on her cheek that is to change everything… for Smithy. For Marissa life continues the way it used to be: occasional night out with a friend, facebook status updates, texting him when she’s had one too many. All this time, Smithy seems to be happy to fool around and to be fooled. But everything changes when he realises: she is the one, the true love he was looking for. And for the first time, he wants to tell her this using the actual words. But she doesn’t seem to understand. She just wants to have another round. The game has changed for Smithy. The stakes are as high as they have never been. But is he to win or lose this one?

A wonderfully structured piece that goes right through your heart doesn’t only benefit from Rogan’s masterful writing. The outstandingly passionate solo performance given by Daithi Mac Suibhne makes all the justice to the carefully crafted script. It’s all in the little, almost subtle, details that Mac Suibhne brought so skillfully to life with the help of Amilia Stewart, for whom Hero is none the less but a directing debut. Stewart added a very nice gentle female touch to a play both written and performed by a man. It made Hero not only better or different, but very diverse and with a certain grain of profundity .

The magic of the space that Theatre Upstairs is has been hugely enhanced by the absolutely smashing set (by Naomi Faughnan) and lighting (by Eoin Byrne) design. Such a beautiful game of light against the sparkling glass all throughout the piece is indescribable; the perfect example of something that no amount of words can paint and it simply has to be seen.

Once again Theatre Upstairs has exceeded all the expectations and brought to life a truly beautiful and tremendously touching production that has both elements of comedy and tragedy. A play that demonstrates clearly: a true love is always worth fighting for. In association with Lakedaemon, Hero runs till January 28th. For more info or to book a seat: http://www.theatreupstairs.ie/what-is-on

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Theatre Upstairs: Murder of Crows

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“The only way to get what you want is to make them more afraid of you than they are of each other.”

– The Crimson Crow

Christmas could be very different. And sure it’s unlike anything else in Theatre Upstairs, where unravels a dark tale of friendship, foulness and fighting for the ones you love.

Bitter Like a Lemon in association with Theatre Upstairs presents its latest play Murder of Crows, a story about a school trip to hell. The three best friends Sam (played by Katie Honan), Dee (played by Amilia Stewart) and Jess (played by Aisling O’Mara) aren’t even meant to go in the first place but end up on the bus to the Garden of Ireland anyway. Just before the trip begins the girlfriends hear a prophecy that warns them of the black crows and begs them not to go anywhere near them. Not taking it too seriously, the girls set off on a journey that is going to change their lives forever. In Wicklow, they are scheduled to do some obligatory scholar activities that nobody is particularly excited about but the real fun starts after. The girls of St Brigit’s are being joined by students – mainly boys – from other schools. They start drinking, intermingling and do things that teenagers normally do. But the fateful hour has already been set. And maybe some people should be more careful with what they say and do, maybe they shouldn’t bully and make fun of others – weaker – ones… Maybe deep inside each one of us lives a little devil that is only waiting to be set free. The consequences of which sometimes can be harmful, even mortal or soul destroying.

Lee Coffey’s Murder of Crows is a heartbreaking piece with an unbelievable twist at the end. It’s almost impossible to digest how much raw meaty parts there is in this slightly under one hour play. Under the superb direction of Karl Shiels, the gradation of the piece is perfectly timed: it starts off nicely and slowly with no preparation of what is yet to come. You think it might be just one of those hight school plays where students talk about their problems. But you couldn’t be further from being wrong. Lee Coffey wouldn’t be Lee Coffey if he hadn’t written a play that actually aims to touch on some of the most tabooed and controversial subjects that teenagers encounter in everyday life but are afraid to talk about.

The script is being strongly supported by the outstanding cast of three actresses, who absolute nail their parts. The characterization and physicality is incredibly strong and it goes to both the main parts that the girls are playing and the secondary characters. I don’t think I’ll be wrong if I say that the way Aisling O’Mara delivered the prophecy sent chills to everyone in the audience. An absolutely out-of-this-world experience that petrified and mesmerized at the same time.

In a play like Murder of Crows, visual aspects can be very important and influential. The two things that caught my eye straight away were, of course, the set (by Naomi Faughnan) and the lighting (by Laura Honan) designs. Quite simple but visually very strong mood setters that made the piece even more atmospheric.

So, if you are in a mood for something completely different this season, don’t be a Grinch and steal Christmas. Go to see Murder or Crows and get your dose of darkness and brutal reality! Runs in Theatre Upstairs until December 17th, for more info or to book tickets: http://www.theatreupstairs.ie/murder-of-crows

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Theatre Upstairs: Test Dummy

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After the morning with #WakingTheFeminists’s one year recap in the Abbey Theatre came an evening with the feminists just around the corner from Ireland’s National. During the Monday meeting some absolutely shocking statistics were presented on the gender imbalance in the top ten (all government sponsored) theatres and theatre companies around Ireland during the last ten years. But some hope was indeed restored for me on Tuesday night when I sat down to watch Test Dummy, an original Irish play written by a woman, performed by a woman, directed and even produced by a woman.

Theatre Upstairs in association with WeGetHighOnThis Collective presents Caitriona Daly’s new play – Test Dummy, a beautiful but ever so heartbreaking example of modern worldwide female image created by decades and generations of hardcore patriarchy.

Test Dummy might be a very abstract piece in general but it’s in the detail where you find its uniqueness and meaningfulness. In addition to the captivating script, Caitriona Ennis masterfully creates her nameless character of multiple faces and experiences; and it’s in one of those socially disfigured faces that the members of the audience will be able to sadly recognise themselves: be they the victim or the predator.

Test Dummy also managed to challenge the physical space that Theatre Upstairs is. In order to be able to experience the play more profoundly, the audience is being seated on two sides (facing each other), while the stage lies right in between them. The Dummy appears to be trapped in between watching and judging her people.

According to Caitriona Daly’s Author’s Note, she wanted this piece to be “not necessarily understood but felt”. Thanks to the exquisite combination of absolutely haunting sound (by Carl Kennedy ), skillful set (by Laura Honan) and igniting lighting (by Conor Byrne and Shane Gill) designs in addition to Ennis’ breathtaking portrayal of the Dummy, Caitriona Daly’s intention was achieved quite nicely. Louise Lowe’s spot-on directing allows this piece to be both brutally honest and tense, as well as funny and humorous.

This roughly fifty minute piece flies by in an instant. Caitriona Ennis’ human Dummy with strong voice and bright eyes “is happy to oblige” and the audience is happily left satisfied with the piece that they’ve just… no, not seen but rather experienced. So, don’t be a Dummy yourself and get your lovely (male or female regardless) bum to Theatre Upstairs to witness what comes out when three talented theatre makers and a 50/50 gender balanced crew come together to create art. For more info or to book tickets: http://www.theatreupstairs.ie/what-is-on

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Theatre Upstairs: Tales from the Woods

After two interviews, pictures of guest speakers and comments by people who had already seen Tales from the Woods, the Hallowe’eny play brought by Theatre Upstairs and The Gumption Theatre Company, I thought I knew the performance inside out. How wrong was I!

I was nicely surprised from the moment I walked into the auditorium of Theatre Upstairs. Absolutely gorgeous set, designed by Theatre Upstairs very own Laura Honan, puts you into the right mood straight away. The ginger leaves covering the floor, a self-rocking chair, a spooky doll, an old-tape player… there is no place for a mistake: you are not in the middle of rainy Dublin anymore. This is the dark, mysterious, dangerous for some, liberating for others Woods. The light and the sound effects howling somewhere in the background just add to the intimate atmosphere of stepping on the unknown path, where there is not a single light at the end.

The play starts with a very soothing and comforting voice of a grandmother (spoken by Irene Shiels) who is telling bedtime stories to her little granddaughter:

Chapter I: “The ballad of Ginny Fogarty”, written by Kate Gilmore and directed by Karl Shiels. This piece is based on the song “The River Saile”, which is a very obscure tune, telling not such a happy story of a woman who killed her baby. The mini-play features three girls: Eilís Carey, Marnie Mccleane-Fay and India Mullen, who are playing truth or dare. And, as it happens, in the best traditions of an old haunted house horror films, one of the girls is being dared to knock on the door of an abandoned house where Ginny Fogarty once used to live. No need to say that nothing good comes out of this idea.

The piece features an absolutely beautiful and tragically touching interpretation of the song performed by Kate Gilmore.

Chapter II: “The beast in the woods”, written by Gary Duggan and directed by Karl Shiels. This “Little Red Riding-Hood” type of story that marries the modern world with the old prejudice. Are things always what they seem? The woods is indeed a very dark place… it’s probably the only place, where you’d rather meet a lonely male stranger than a small little girl.

This full of symbolism mini-play features India Mullen, who gives an extraordinary performance as The Girl, and the voice of Gary Duggan.

Chapter III: “The children played at slaughtering” is a mini-play developed by Karl Shiels and The Gumption Theatre Company.

The third and last piece is the darkest one. Rayne (played by Shane O’Regan) and Root (played by Dave Rowe) are two brothers from a small village, who decide to play at slaughtering one day. Naive (or maybe not so much?) one of them takes the role of the butcher upon himself, the second one plays his assistant, the third, a younger boy, is playing the pig. When the two brothers finally reach the pig, they kill him. But shall the young brothers be punished?

This grim story of lost innocence and justice also features Marnie Mccleane-Fay, who brilliantly plays the silent Plague Doctor.

This spooky and very atmospheric production is a perfect proof of how many levels a theatre can work on. Such a beautiful and strong interpretation of every single character by The Gumption Theatre Company brought up the creepiest in each one of the three mini-plays and made you feel your hair standing up on the back of your neck. The effect is even bigger when you realise that you are part of the show and in front of you are real people.

Theatre Upstairs is a kind of house you would want to knock on the door of on Hallowe’en for they have a whole hand full of  treats for you!

Tales from the Woods runs until November 7th with two performances on the last day! Would you want to wait another year to see something that great and that scary? Of course, not! Book your tickets here: http://www.theatreupstairs.ie/tales-from-the-woods

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