“You are good for nothing unless you are clever.”
– Henry James, The Heiress
Ruth and Augustus Goetz’ adaptation of Henry James’s novel Washington Square, The Heiress is probably one of the most perfectly unimpressive plays. It’s a typical story of the late 19th century life of the other half. The constant battle of money, affection and betrayal. It’s also a story where one of the main characters is none the less but a house, beautiful but soulless space that becomes a prison for some and the entrance into the garden of Eden for the others. New York’s Washington Square charms, it attracts and mesmerizes people who have once seen its rich beauty and now are unable to let it go.They want it for themselves no matter what.
Slightly over two hours long The Heiress is a flaying piece with only a handful of characters. Centered mainly on the life of Catherine Sloper (played by Karen McCarthy), the only daughter of Dr. Sloper (played by Denis Conway) and his late but still very much beloved wife. A simple, bubbly, home life appreciative Cathy perhaps isn’t the best match for the gentlemen of the New York nobility but a spark of hope lights when she meets Morris Townsend (played by Donal Gallery). Against her father’s will and with the help of her spinster auntie Lavinia (played by Marion O’Dwyer), who is a great character herself, a secret marriage has been arranged. For Catherine the decision has already been made but what about the young fiancé who is a bit unimpressed to find out that in the case of this marriage taking place his young wife most definitely will be disinherited?
A cruel story of false promises of love, sour betrayal and cold-hearted but sweet revenge shows us one of the best examples of a strong female characterization in a dramatic play. Catherine is indeed a very enjoyable character whose personal growth is nothing but fascinating to witness.
Even though the play does have some very nice lines to feed one's mind and the acting is as superb as always, there was something missing in the piece to make it stand out. Too sweet and perfect to challenge the audience.
On a slightly more positive note, Jonathan Fenson’s stunning stage and dress designs made it an absolute pleasure for the eye to watch the play. I really enjoyed the captivating depth of the stage and how well it symbolically represented the story.
Directed by David Grindley, The Heiress runs in Dublin’s Gate Theatre until January 21st. Only a few chances left to catch it. For more info or to book tickets: http://www.gatetheatre.ie/production/TheHeiress2016