The Belly Button Girl, written and performed by Tom Moran, is a story about a twenty-something guy who falls in love with the cute barеутвук at his cousin Sharon’s 21st birthday party.
The story is simple and quite straight forward. Except, that it’s not. Set in, undoubtedly, one of the most beautiful corners of the Emerald Isle – Dingle Peninsula, this piece tells us a story of a guy who fell in love and wasn’t afraid to admit it to himself and to the others. In an age of masculinity and in a country when showing your feelings is still a dangerous and, mostly by choice and ever so pressuring society, unexplored territory (especially by men), this is a huge deal.
All throughout the 60 min piece not for second is The Guy scared to say what is really on his mind. The story is easy to follow and understand because it doesn’t come out as a pretentious overwritten piece but rather like somebody’s natural train of thought. Yes, it’s ridiculous at times, but it’s very truthful. Thanks to this, we forgive and even laugh with Moran’s character when he mentions some of the most unspeakable and unmentionable details of his dating the Belly Button Girl. Why would you say something like that? the audience might think. But then you remember, that’s something we all think about and there is nothing bad in saying the truth. It’s like Moran removed the filter that was holding the society’s daily courtesy talk routine and just poured it all out.
Another element that immediately attracted me to this play was the amazingly believable characterization. Every single one of them: from the main characters – The Belly Button Girl – to the smallest ones – The Massive Lad or The Sambuca Lady. It’s a very interesting tool that not many playwrights use: to identify characters by who they really are. Without too much description or an overload of names, I could easily picture all the characters in the play and know what kind of people they were.
Now to the setting. Dingle is a very attractive place to set a story. The furthest corner of the Irish land; anything can happen there. But Moran, once again hits the jackpot, with some very modest but easily recognisable imagery. If you’ve ever been to Dingle Peninsula, of course you would have heard about its main attraction: Fungie, the dolphin, who doesn’t show himself to everyone. And, even though being one of the most gorgeous places of nature and typical Irish landscape, there is very little to do on the peninsula.
I was also quite fond of the structure of this sixty minute piece. It finishes very much the way it had started. The circle has been complete. With the only difference that our main character – The Guy – isn’t the same anymore; he has grown up emotionally. And that’s what all the good stories are about: the characters journey on a self-exploration and self-development.
A tearing comedy with a somewhat unusual ending, The Belly Button Girl, directed by Romana Testasecca, is a beautiful piece of very touching and truthful theatre. Tom doesn’t use any props and there is barely any sound effects, the play is one hundred percent about stripping down one’s own soul and sharing the experience with the audience.
The Belly Button Girl, brought to us by Squad Theatre Company and Intensive Purposes Productions, runs in The New Theatre, Temple Bar until August 27th. It’s the kind of play that has all the potential to woe the Fringe (be it Dublin or Edinburgh) audience. A very refreshing piece of truthful theatre. For more info or to book tickets: http://www.thenewtheatre.com/tnt_php/scripts/page/show.php?show_id=268&gi_sn=57bd6f62e9ebe%7C0